Snipewinnow Marsh

photo of a Common Snipe © Lang ElliottIn late May 2005, Ted Mack and I visited Riding Mountain National Park in Manitoba. The park is an island of wilderness rising out of the prairie landscape, where habitats of eastern, western and northern Canada meet and mingle into a pattern of forest, grassland, hill and valley.

In dawn’s early light, Ted and I converged upon a huge marshy area surrounded by forest. Full of beaver ponds and alder patches, the marsh was home to a large variety of species. Ted ventured way out into the wetland and snagged a wonderful dawn chorus. Most impressive are the eerie winnows of a Common Snipe, a sound made by air moving through the outspread tail as the snipe swoops downward then upward in fight. Listen also for the drums of a Ruffed Grouse and the songs of numerous songbirds, including: Marsh Wren, Common Yellowthroat, Chestnut-sided Warbler, Song Sparrow, White-throated Sparrow, Red-winged Blackbird, Mourning Dove, Swamp Sparrow. A Pied-billed Grebe sounds off near the end. What an incredibly rich and varied soundscape:

Dawn chorus in a northern marsh with lots of Common Snipe winnows. 6am, 30 May 2005. Riding Mountain National Park, Manitoba. Recorded by Lang Elliott.0:00 / 0:00

photo of Lang ElliottI can’t wait to get back up to Manitoba, not only to pay my respects to Riding Mountain, but also to explore the abundance of pothole ponds to the south of the park in the Minnedosa area. And then there is Poverty Plains, a great spot for finding hawk nests and the home to western species such as Brewer’s Blackbird. Have any of you ever been to any of these places?

Night Squeals

photo of Barred Owl © Wil HershbergerDuring my first recording expedition to Florida in 1988, my buddy Ted and I camped in a low area next to a small river and were delighted when a pair of Barred Owls paid us a visit in the dark of the night. We managed to get some nice recordings as they hooted back-and-forth in a pine tree overhead, but those were the days before we began using soundscape microphones to capture the full dimensional experience. Since that first expedition, I have returned to Florida many times and recorded many Barred Owl visitations. Sometimes I think that owls are friendlier down there. It certainly seems so because about every time I camp out in a Florida swamp, the owls come visit me!

One of my favorite Barred Owl recordings is from Ocala National Forest in central Florida. I canoed down a river to a likely spot and set up camp. To my delight, when darkness arrived, I heard the squeal of a young owl (its begging call) not far from my tent. I set up my microphone and waited. A little before midnight the parents finally arrived, hooting in the distance and then up close. When they finally fed their “little one,” he screamed with considerable delight before receiving his mouthful of ecstasy (I think he got fed, but maybe not; see bottom of post):

Barred Owls hooting, Pig Frogs croaking, and an immature owl periodically giving begging sqeuals. 11:30pm, 5 June 1994, Ocala National Forest north of Orlando, Florida. Lang Elliott.0:00 / 0:00

photo of Lang ElliottPretty nice, huh? I’ve shortened the recording somewhat so you can hear a good deal of the hooting and squealing. I rather like those Pig Frogs; they were sounding off from the river’s edge. The insect chorus brightens the recording … it’s not too loud is it?

As for the little one being fed, I must point out that it was pitch black and I didn’t actually see anything. But his loud and animated squeals indicate something important happened there, which I presume was him being fed by one or the other of his parents. But how could they feed him when they’re both hootin-it-up? Does anybody out there have an explanation? (Gerrit, if you’re listening, please chime in)

Words Cannot Describe

photo of Hermit Thrush by Lang ElliottWords cannot adequately describe the following recording—to even try to put words to it would mute its brilliance, dampen its magic. I only ask that you relax into this soundscape, that you sink your being into this unbelievable mix of sounds.

Rest assured there are no tricks here, no layering of recordings. This sound-event really did happen, just as you hear it, in dawn’s early light, at the edge of a northern bog:

A choir of Hermit Thrushes, with Coyotes and lone Barred Owl. 5:30am, 25 June 2000, in the Adirondacks, not far from Tupper Lake, NY. Recording © Lang Elliott.0:00 / 0:00

photo of Lang ElliottMaybe you’re different from me. Maybe you’re unaffected. This recording takes my breath away. I can scarcely believe I made it. I can scarcely believe I just found it (yet another jewel I had overlooked!).

Listen for: A veritable choir of Hermit Thrushes, Coyotes, a Barred Owl, subtle Green Frogs and Bullfrogs, a Yellow-bellied Flycatcher, Lincoln’s Sparrow (I think), one White-throated Sparrow (toward end), plus a few other soundmakers (tell me what else you hear!).

Pine Woods Medley

photo of dawn in southern pine woodsSpring is coming to the southern pine woods . . . perhaps it has already arrived! With over two feet of snow on the ground here in Ithaca, New York, it is difficult for me to imagine that spring is just around the corner.

Wanting to taste the flavor of the pine woods soundscape, I searched my collection and came up with a pleasing recording from April 29 of 1994. I well remember the experience. I was exploring the Apalachicola National Forest near Tallahassee, Florida, and camped one night near the Sopchoppy River. At the break of dawn, a Great-crested Flycatcher established the rhythm of the chorus with regular slurred notes accompanied by soft throaty garbles (his special dawn song). Bachman Sparrows soon joined in with their musical songs—thin whistles followed by trills. Many other birds sounded off in the distance, including Chuck-will’s-widow, American Crow, and Northern Cardinal. Listen also for the continuous trilling of crickets. What a wonderfully piney medley!

Pine woods dawn chorus featuring Great-crested Flycatcher and Bachman's Sparrow. 6am, 29 April 1994. Apalachicola National Forest near Tallahassee, Florida. Recorded by Lang Elliott.0:00 / 0:00

My friend Bob McGuire is heading to Florida in a couple of weeks. He will be recording bird songs and calls in the Florida panhandle. It will probably be a tad early for him to get a soundscape as rich as this one, but who knows? Whatever Bob finds, I’m sure he’ll home-in on some exciting sound events. So let’s all wish him well as he rushes toward the leading edge of spring.

Good Luck Bob!

Turkey Haunt

photo of landscape at Wichita Mountains National Wildlife Refuge (from govt. web site)In the spring of 2000, I embarked on a quest to record dawn choruses and other nature soundscapes, having in mind that I would produce a series of relaxing and meditative CDs (which I am finally going to pull off, over ten years later!). My trip lasted nearly two months and was fraught with horrible weather. Wherever I went there was either high wind or rain (or both). I spent weeks trying to outrun bad weather systems, but to no avail. Many times, I would drive all day to get out of one storm only to have a new one overtake me from a different direction. I am amazed that I got anything of value during that trip.

One lucky spot was Wichita Mountains National Wildlife Refuge in southwestern Oklahoma. Containing a variety of habitats (eastern deciduous forest, mixed grass prairie, lakes and ponds, and steep rocky slopes), the refuge has always yielded good recordings (at least when jets from nearby Fort Sill aren’t flying overhead). The following is a good example. It is one my favorite Wild Turkey recordings, with two males gobbling intermittently from oak woods next to a small creek. Chuck-will’s-widows sing prominently throughout. Listen also for the songs of two Tufted Titmice:

Wild Turkeys call intermittently next to a small brook while Chuck-will's-widows sing in the background. 6am, 5 May 2000, Wichita Mountains NWR near Lawton, OK. Recorded by Lang Elliott.0:00 / 0:00

photo of Wild Turkey gobblingI have other turkey recordings where there are more individuals involved and where the gobbles are louder and closer. This one is more laid back, which is why I like it so much. I didn’t know the turkeys were there. I arrived at the break of dawn, heard the chuck-wills and quickly set my soundscape mike near the stream. Minutes later, the turkeys chimed-in, which was a welcome surprise!

Let me know if you like it!

Whitethroat Migration

photo of singing White-throated Sparrow - © Lang ElliottI figured it would be a good idea to follow up the snapping turtle recording with something a little easier on the ears. So here is a pleasant soundscape I recorded in late late April of 2000 at Land Between the Lakes, Kentucky. It features the sweet, pure whistles of several migrating White-throated Sparrows, along with other bird sounds and the gentle trickle of a spring freshet:

White-throated Sparrows singing during migration, 8am, 25 April 2000, Land Between the Lakes, Kentucky. Recorded by Lang Elliott.0:00 / 0:00

photo of Lang ElliottThis soundscape is rather brief—after about three minutes, the white-throats moved off. But I was happy with my catch, which reminds me of the pleasure I feel when I stumble on to small groups of white-throats during spring migration. Their rather subdued “migration songs” seemed so out of place, given that this species breeds in spruce and fir forests nearly a thousand miles to the north.

D’ya like?

Pasture Dawn

A foggy morning at a grassy pasture in Berkeley County, WV.Hello, Wil Hershberger here. One of my favorite times of day is dawn. From first light through sun-up, as the world awakens and song returns to the earth I get a feeling of renewal, of rebirth. I feel invigorated for the rest of the day.

A particularly magical morning occurred last summer near my home at a large pasture along a lonely country road. There were American toads singing from a pond in the distance and grassland birds were singing from the field. Not far to the right was a copse of trees that supported a variety of open habitat birds. It was still well before sunrise when I started this recording. Grasshopper sparrows were the most vocal and evident species. Spring field crickets, American robins, tufted titmouse, American crows, red-bellied woodpeckers, American toads and green frogs can all be heard in the background, along with cows mooing near the end. I particularly enjoyed the counter singing of the grasshopper sparrows as these males vie for mates and sing to the world that this spot in the pasture is theirs.

Grasshopper sparrows in pasture. Berkeley County, WV. May 23, 2010. ©Wil Hershberger.0:00 / 0:00

A photo of Wil HershbergerWhat do you think? Are the grasshopper sparrows too loud? Is the presence of cows a turn off or do you like them? This is the time of the year when farmers separate the calves from their mothers and I don’t think that she was very happy with this situation! I was really impressed that I was able to record for nearly 20 minutes without a jet, car, truck or dog contaminating the aural beauty.

Tinkling Trickle

photo of a trickling brook in West VirginiaThe sound of water is universally soothing. Ocean waves washing in, raindrops falling on the forest floor, the trickling sounds of a small brook . . . all have deep and timeless qualities that help calm the mind. Many times in my life, I have sat for hours next to streams, absorbed in the mesmerizing soundscape that is at once changing, yet always the same.

I made the following trickling brook recording in the mountains of West Virginia during the spring of 2000. I was captivated by the “tinkling” sound of the water, and I was pleased that the bird songs remained subtle throughout:

A trickling stream at dawn with subtle bird sounds, 29 May 2000. Cranberry Glades Natural Area, near Marlinton, West Virginia. Recorded by Lang Elliott.0:00 / 0:00

Now for a quiz! What birds are singing in this recording? Yes, there is a robin sounding off in the distance, but who are the two or three high-pitchy singers heard periodically in the soundscape?

Robin Dawn Song

photo of an American Robin singing by Lang ElliottI used to chase after birds with a parabolic reflector, trying to get the closest and cleanest recordings possible. The idea was to to “slice the bird out of its environment,” so that only one singer would be heard in the recording, with minimal reverberation. I lost interest in this rather sterile approach a number of years ago, even though such recordings have their place in identification guides and are clearly useful for scientific analysis. Now I primarily record soundscapes which include the sounds of a variety of species, usually with no one individual dominating a recording. Nonetheless, I still have an interest in gathering nice “species portraits,” recordings that emphasize the sounds made by an individual bird, but that include a spacious soundscape backdrop.

For example, consider the following recording of an American Robin singing excitedly at dawn, which I made in 1995 (back in the early days!) in the Adirondack Mountains of upper New York State. I find it pleasing in most respects. It emphasizes the robin, but there are plenty of other sounds spread across a wide soundscape. Listen especially for the whistles of White-throated Sparrows, the two-parted high-pitched songs of a Nashville Warbler, and lots of Mink Frogs giving their tapping calls from a nearby wetland:

American Robin dawn song, with White-throated Sparrow and Mink Frogs. Dawn, 15 June 1995. Recorded by Lang Elliott.0:00 / 0:00

photo of Lang ElliottDo you like it? As far as “species portraits” go, I think this one rates fairly high. The robin’s song doesn’t rattle the ear (like most closeup robin recordings do), yet it stands out clearly against the busy background. I’m biased for sure, but I can’t help but crow a bit about this species portrait.

Chaparral Concerto

photo of Chaparral Wildlife Management Area by Texas Parks & Wildlife

Having just corresponded with a friend who lives in south Texas, I’ve decided to post a soundscape from that region. I recorded the following dawn chorus in late May of 2005 in Chaparral Wildlife Management Area, which is about a 100 miles southwest of San Antonio, Texas. The refuge encompasses over 15,000 acres of South Texas Brush Country, characterized by impenetrable thickets of mesquite, acacia, prickly pear, and wild olive. Such habitat is the home of Cactus Wren, Ground Dove, Greater Roadrunner, Olive Sparrow, Northern Bobwhite, and Golden-fronted Woodpecker—all of which can be heard in this soundscape:

Dawn chorus in South Texas Brush Country, 6:30 am, 20 May 2005, Chaparral WMA near Artesia Springs, Texas. Recorded by Lang Elliott.0:00 / 0:00

photo of Lang ElliottThis is a rich and busy soundscape. A ground dove calls regularly throughout, its coos all on one pitch. In contrast, roadrunners give a series of four or more low coos that drop in pitch from beginning to end. A Cactus Wren gives it’s mechanical, rattling trills repeatedly. Listen also for the high-pitched songs of an Olive Sparrow, the individual notes speeding up from beginning to end. A single Northern Bobwhite periodically sounds off with both calls and song. I believe I hear a Northern Cardinal singing at times, but it might be a Pyrrhuloxia. A Golden-fronted Woodpecker gives a series of nasal churrs late in the recording.

Do you like this one? It is busy, yes, but it’s fairly easy on the ears (please don’t play it too loudly). It is certainly a glowing testament to the amazing diversity of birds found in the dense scrub habitat.

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